Ru Page 7

  In Hanoi, I had a neighbour across the street who also prayed every morning, at dawn, for hours. Unlike my grandmother’s, though, her windows made of bamboo slats opened directly onto the street. Her mantra and her steady and incessant pounding on her block of wood intruded on the whole neighbourhood. At first I wanted to move, lodge a complaint, even steal her bell and smash it to bits. After a few weeks, though, I stopped cursing the woman because I was haunted by the image of my grandmother.

  During the first years of immense upsets, my grandmother sometimes took refuge in temples. She wanted so badly to hide in them that she even allowed Aunt Seven to drive her. Aunt Seven didn’t know how to drive a moped, because no one had shown her, and also because she wasn’t supposed to leave the house. But the rules had been rewritten since the structural upheaval of her life and of life in general. For my handicapped aunt, that bursting of the family nucleus brought a kind of freedom, as well as an opportunity to grow up. The situation led her to start up the one moped that was left in the courtyard. My grandmother got on, and my aunt began to drive and drive, never changing speed, never stopping, even at red lights. She told me later that when she saw a traffic light she closed her eyes. As for my grandmother, she put her hands on her daughter’s shoulders and prayed.

  I would have liked Aunt Seven to tell me about how she had given birth while with the nuns. I don’t know if she’s aware that Aunt Four’s adopted son is actually hers. I don’t know how I knew. Maybe because the children listened through keyholes without the adults noticing. Or because adults aren’t always aware that children are present. The parents didn’t need to keep an eye on their children; they counted on the nannies to supervise them. But parents sometimes forgot that the nannies were young girls: they too had urges, they liked to attract the eyes of the chauffeur, the smile of the tailor, they liked to dream for a moment, as they looked at themselves in the mirror, that they too were part of the backdrop reflected there.

  I always had nannies, but they sometimes forgot me. And I don’t remember any of them, even if I often find them in a corner, out of focus, in the photos from my childhood.

  My son Pascal also lost all memory of his nanny, Lek, very soon after we left Bangkok to come home to Montreal. Yet his Thai nanny had been with him seven days a week, twenty-four hours a day, for more than two years, except for a few days’ holiday now and then. Lek loved Pascal from the very first moment. She showed him off in the neighbourhood as if he were hers, the most beautiful, the most magnificent. She loved him so much I was afraid she’d forget that inevitably they would separate, that someday we were going to leave her and, sadly, my son might not remember her at all.

  Lek knew just a few words of English and I a few words of Thai, but all the same we managed to have long conversations about the residents of my building. The most cinematic image was that of the ninth-floor neighbour, an American in his thirties. One night he came home from work to find his apartment covered with feathers and moss. His pants had been cut in two lengthwise, his sofas ripped open, his tables lacerated by a knife, his curtains torn to shreds. All this damage was the work of the mistress he’d dismissed after three months of service. He shouldn’t have exceeded the limit of one month, because the hope of a great love grew in her mind every day, even though she continued to be paid every Friday for her loving. To avoid a disappointment on that scale, perhaps he shouldn’t have invited her to all those meals where she smiled without understanding anything, where she was a decoration for the table, where she swallowed vichyssoise while intensely craving a salad of green papaya with bird chilies that tore your mouth apart, that burned your lips, set fire to your heart.

  I‘ve often asked strangers who came to Asia to buy love on a one-time basis why, on the morning after a wild night, they insisted on sharing their meal with their Vietnamese or Thai mistress. The women would have preferred to receive the cost of those meals in cash, so they could buy a pair of shoes for their mother or a new mattress for their father, or to send their little brother for English lessons. Why desire their presence outside of bed when their vocabulary is limited to conversations that go on behind closed doors? They told me I didn’t understand a thing. They needed those young girls for a totally different reason—to restore their youth. When they looked at those young girls, they saw their own youth, filled with dreams and possibilities. The girls gave them something: the illusion that they hadn’t made a mess of their lives, or, at the very least, the strength and the urge to start over. Without them they felt disillusioned, sad. Sad at having never loved enough and having never been loved enough. Disillusioned because money hadn’t brought them happiness, except in countries where for five dollars they could obtain an hour of happiness, or at least some affection, company, attention. For five dollars they got a clumsily made-up girl who came for a coffee or a beer with them and roared with laughter because the man had just said the Vietnamese word urinate instead of pepper, two words differentiated only by an accent, a tone that is nearly imperceptible to the untrained ear. A single accent for a single moment of happiness.

  One night, as I followed into a restaurant a man with a slashed earlobe like that of one of the Communist soldiers who’d lived in my family home in Saigon, I saw through the slit between two panels of a private room six girls lined up against the wall, teetering in their high heels, faces heavily made up, bodies frail, skin shivering, totally naked in the flickering light from the fluorescent tubes. Together, six men took aim at the girls, each with a tightly rolled American hundred-dollar bill, folded in half around a taut rubber band. The bills crossed the smoky room at the crazy speed of projectiles, finally landing on the girls’ translucent skin.

  During my first months in Vietnam, I was very flattered when people thought I was my boss’s escort, in spite of my designer suit and my high heels, because it meant that I was still young, slim, fragile. But after witnessing the scene where the girls had to bend down to pick up the hundred-dollar bills wadded at their feet, I stopped feeling flattered out of respect for them, because behind their dreamy bodies and their youth, they carried all the invisible weight of Vietnam’s history, like the women with hunched backs.

  Like some of the girls whose skin was too delicate, who couldn’t bear the weight, I left before the third volley. I left the restaurant deafened not by the sound of clinking glasses but by the imperceptible sound of the shock of bills against their skin. I left the restaurant, my head filled with the resonance of the stoic silence of the girls who’d stayed behind, who had the strength to strip the money of its power, becoming untouchable, invincible.

  When I meet young girls in Montreal or elsewhere who injure their bodies intentionally, deliberately, who want permanent scars to be drawn on their skin, I can’t help secretly wishing they could meet other young girls whose permanent scars are so deep they’re invisible to the naked eye. I would like to seat them face to face and hear them make comparisons between a wanted scar and an inflicted scar, one that’s paid for, the other that pays off, one visible, the other impenetrable, one inordinately sensitive, the other unfathomable, one drawn, the other misshapen.

  Aunt Seven also has a scar, on her lower belly, the trace of one of her escapades in the maze of alleys where she inched her way between the vendors of ice and of slippers, between squabbling neighbours, angry women and men with erections. Which of these men was the father of her child? No one dared to question Aunt Seven because they’d had to lie to her during her pregnancy to protect her from her own belly by concealing it under the habit of the nuns at the Couvent des Oiseaux. The nuns called her Josette and showed her how to write her name in large dotted characters. Josette never knew why she was getting so fat or why she woke from a deep sleep to discover that she was thin. She only knew that Aunt Four’s adopted son ran away, like her, as soon as he could. He criss-crossed the same alleys at the speed of light, holding his sandals so that his feet would feel the heat of the pavement, the texture of excrement, the sharpness of a piece of broken b
ottle. He ran all through his childhood. And all through his childhood we other children, young and old, ten, fifteen, even twenty of us, patrolled the neighbourhood every month. One day we all came home empty-handed, as did the servants and the neighbours. He left our lives along the same trail he’d arrived on, leaving as his only souvenir a scar above his mother’s pubic area.

  My son Henri runs away too. He runs to the St. Lawrence River on the other side of a highway, of a boulevard, a street, a park, another street. He runs to the water where the smooth rhythm and the constant movement of the waves hypnotize him, offer him calm and protection. I’ve learned to be a shadow in his shadow so I can follow him without upsetting him, without harassing him. Once, though, it took just one second of distraction and I saw him dash in front of the cars, excited and full of life as never before. I was staggered by the juxtaposition of his happiness, so rare, so unexpected, and my own anguish at the thought of his body thrown up in the air above a fender. Should I close my eyes and slow down to avoid witnessing the impact, to survive? Motherhood, my own, afflicted me with a love that vandalized my heart, puffed it up, deflated it and expelled it from my rib cage when I saw my older son, Pascal, show up out of the blue, and fling his brother onto the freshly cut grass of the boulevard median. Pascal landed on his brother like an angel, with chubby little thighs, candy-pink cheeks and a tiny thumb sticking up in the air.

  I cried with joy as I took my two sons by the hand, but I cried as well because of the pain of that other Vietnamese mother who witnessed her son’s execution. An hour before his death, that boy was running across the rice paddy with the wind in his hair, to deliver messages from one man to another, from one hand to another, from one hiding place to another, to prepare for the revolution, to do his part for the resistance, but also, sometimes, to help send a simple love note on its way.

  That son was running with his childhood in his legs. He couldn’t see the very real risk of being picked up by soldiers of the enemy camp. He was six years old, maybe seven. He couldn’t read yet. All he knew was how to hold tightly in his hands the scrap of paper he’d been given. Once he was captured, though, standing in the midst of rifles pointed at him, he no longer remembered where he was running to, or the name of the person the note was addressed to, or his precise starting point. Panic muted him. Soldiers silenced him. His frail body collapsed on the ground and the soldiers left, chewing their gum. His mother ran across the rice paddy where traces of her son’s footprints were still fresh. In spite of the sound of the bullet that had torn space open, the landscape stayed the same. The young rice shoots continued to be cradled by the wind, imperturbable in the face of the brutality of those oversized loves, of the pains too muted for tears to flow, for cries to escape from that mother who gathered up in her old mat the body of her son, half buried in the mud.

  I held back my cries so as not to distort the hypnotic sound of the sewing machines standing one behind the other in my parents’ garage. Like my brothers and me, my cousins sewed after school for pocket money. With eyes focused on the regular, rapid movement of the needles, we didn’t see one another, so that very often our conversations were actually confessions. My cousins were only ten years old, but they already had a past to recount because they’d been born into an exhausted Saigon and had grown up during Vietnam’s darkest period. They described to me, with mocking laughter, how they had masturbated men in exchange for a bowl of soup at two thousand dongs. Holding nothing back, they described those sex acts naturally and honestly, as people for whom prostitution is merely a question of adults and money, a matter that does not involve children six or seven years old like them, who did it in exchange for a fifteen-cent meal. I listened to them without turning around, still sewing, without commenting, because I wanted to protect the innocence in their words, not tarnish their candour by my interpretation of the act. It was certainly thanks to that innocence that they became engineers after ten years of studies in Montreal and Sherbrooke.

  Coming home after leaving my cousins at the University of Sherbrooke, I was approached in a gas station by a Vietnamese man who had recognized my vaccination scar. One look at that scar took him back in time and let him see himself as a little boy walking to school along a dirt path with his slate under his arm. One look at that scar and he knew that our eyes had already seen the yellow blossoms on the branches of plum trees at the front door of every house at New Year’s. One look at that scar brought back to him the delicious aroma of caramelized fish with pepper, simmering in an earthen pot that sat directly on the coals. One look at that scar and our ears heard again the sound produced by the stem of a young bamboo as it sliced the air then lacerated the skin of our backsides. One look at that scar and our tropical roots, transplanted onto land covered with snow, emerged again. In one second we had seen our own ambivalence, our hybrid state: half this, half that, nothing at all and everything at once. A single mark on the skin and our entire shared history was spread out between two gas pumps in a station by a highway exit. He had concealed his scar under a midnight blue dragon. I couldn’t see it with my naked eye. He had only to run his finger over my immodestly exhibited scar, however, and take my finger in his other hand and run it over the back of his dragon and immediately we experienced a moment of complicity, of communion.

  It was also a moment of communion when my large extended family got together in upstate New York to celebrate my grandmother’s eighty-fifth birthday. There were thirty-eight of us, gossiping, giggling, getting on each other’s nerves for two days. I noticed then for the first time that I had the same rounded thighs as Aunt Six and that the dress I had on was similar to Aunt Eight’s.

  Aunt Eight is my big sister, the one who shared with me the thrill of the word goddess that a man had whispered in her ear when she was sitting, out of my mother’s sight, on the crossbar of his bicycle, encircled by his arms. She is also the one who showed me how to capture the pleasure of a passing desire, of an ephemeral flattery, of a stolen moment.

  When my cousin Sao Mai sat behind me and embraced me for the cameras of her two sons, Uncle Nine smiled. Uncle Nine knows me better than I know myself because he bought me my first novel, my first theatre ticket, my first visit to a museum, my first journey.

  Sao Mai became an important businesswoman, a public personality, a modern queen after she’d beaten dozens and dozens of eggs by hand—there were power failures five days out of seven in Saigon—to make birthday cakes that she sold to the new Communist leaders. Like an acrobat, she delivered her cakes by bicycle, zigzagging through other bicycles, avoiding the black smoke of motorcycles and the manholes with covers stolen. Today her cakes, and now also her ice cream, pastries, chocolate and coffee, are sold in every neighbourhood in the big cities, criss-crossing the country from south to north.

  I am still the shadow of Sao Mai. But I like to be, because during my stay in Vietnam I was the shadow that danced around the bargaining tables to distract those with whom she was dealing while she deliberated. Because I was her shadow, she could confide in me her worries, her fears, her doubts, without compromising herself. Because I was her shadow, I was the only one who dared to enter her private life, which had been tightly sealed since the time when she sold “coffee” made from stale bread burned to a cinder then ground, on the sidewalk across from where she lived, ever since the windows of her house had been sold. Without asking permission, I relit the flames she thought had disappeared behind her now-massive facade. I cleared the way for frivolity by allowing her children to pelt each other with custard pies on my terrace, by putting them in a cardboard box full of confetti outside her room to wish her happy birthday when she woke up, by placing in her briefcase a red leather thong.

  I like the red leather of the sofa in the cigar lounge where I dare to strip naked in front of friends and sometimes strangers, without their knowledge. I recount bits of my past as if they were anecdotes or comedy routines or amusing tales from far-off lands featuring exotic landscapes, odd sound effects and exaggerate
d characterizations. When I sit in that smoky lounge, I forget that I’m one of the Asians who lack the dehydrogenase enzyme for metabolizing alcohol, I forget that I’m marked with a blue spot on my backside, like the Inuit, like my sons, like all those with Asian blood. I forget the mongoloid spot that reveals the genetic memory because it vanished during the early years of childhood, and my emotional memory has been lost, dissolving, snarling with time.

  That estrangement, that detachment, that distance allow me to buy, without any qualms and with full awareness of what I’m doing, a pair of shoes whose price in my native land would be enough to feed a family of five for one whole year. The salesperson just has to promise me, You’ll walk on air, and I buy them. When we’re able to float in the air, to separate ourselves from our roots—not only by crossing an ocean and two continents but by distancing ourselves from our condition as stateless refugees, from the empty space of an identity crisis—we can also laugh at whatever might have happened to my acrylic bracelet the colour of the gums on a dental plate, the bracelet my parents had turned into a survival kit by hiding all their diamonds in it. Who would have thought, after we avoided drowning, pirates, dysentery, that today the bracelet could be found perfectly intact, buried in a garbage dump? Who would have thought that burglars would steal from people living in an apartment as miserable as ours? Who would have imagined that thieves would saddle themselves with a ridiculous piece of jewellery made of pink plastic? All the members of my family are convinced that the burglars tossed it aside when they were sorting their haul. So maybe one day, millions of years from now, an archaeologist will wonder why diamonds were arranged in a circle and placed in the ground. He may interpret it as a religious rite, and the diamonds as a mysterious offering, like all those gold taels discovered in amazing quantities in the depths of the South China Sea.